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Five Black Ducks, 2006 |
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full-sheet image 30x22,
watercolor on Arches Rough paper
( I've indicated strong sunlight highlighting the subtle beauty of black ducks as they set into a remote marsh late on an autumn day. Used as an illustration for a book-in-progress by Countrysport Publishing, and taken from a design I earlier used on a painting of mallards.)
(currently unframed)
$500 |
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Across the Campus |
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watercolor on Arches rough paper, image 18x24, 1997
(Campus scene of Mount Holyoke College)
$350 |
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Amherst Barnyard |
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watercolor on Lala CP paper, image 10x7, 1993
$200 |
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Chatham Light, 1999 |
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quarter-sheet image 10x14
watercolor on Arches #140 CP
(This was completed while a busload of tourists looked over my shoulder. They all liked the painting, but not well enough to get out their checkbooks.)
(currently unframed)
$300 |
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Chatham Wind |
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watercolor on Arches cold pressed paper, half-sheet image 15x22, 2000
( I did this on location on a very windy summer's day on Cape Cod. There are some watery accidents in the sky area that, although unintended, ad to the windy sky effect.)
(currently unframed), $300 |
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Coyote Farm |
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watercolor on Arches CP paper, quarter-sheet image 10x14, 1992
(While completing this on location, a coyote trotted by on his rounds. )
$250 |
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Jennifer's Granby Reflections |
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watercolor on Arches CP paper, quarter-sheet image 10x14, 1997
A rapid painting, done on location to illustrate technique to my daughter.
$250 |
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Martha's Vineyard Bridge, 1994 |
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quarter-sheet image 11x15
watercolor on Arches CP paper
(Did this on a painting trip to Martha's Vinyard. I later found out this bridge was featured in the making of the movie Jaws.)
$250 |
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Rainy Day Boatyard |
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watercolor on Arches CP paper, quarter-sheet image 11x15, 2000
(The only "keeper" from a trip to Maine on which it rained every day. I worked on the abstract elements of the drawing for several hours, then executed the painting in a surprisingly brief time.)
$300 |
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Sunlit Table with Flowers |
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watercolor on Winsor & Newton CP paper, full-sheet image 28x22, 1999
(My fascination with the effects of brilliant sunlight on interior scenes inevitably leads to this sort of quiet, high-contrast painting. Contained in this work is just about every watercolor technique I practice.)
$600 |
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Teapot Brook |
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watercolor on experemental paper, half-sheet image 15x22, 1995
( Someone gave me some paper to try, and I did this in studio from one of my photos. I didn't care for the paper, but the painting came out okay.)
(currently unframed), $300 |
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Thanksgiving Snow & Shadows, 2006 |
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half-sheet image 15x22,
watercolor on Arches rough paper
(Last Thanksgiving saw the first snow of the year. Returning home from bird hunting on Satruday, I passed this barn in Warren. Sometimes the late-day shadows can transform an ordinary scene into something dramatic.)
$450 |
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